On the Fringes of Reality

Where the ordinary world reveals its true nature

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Pharmaceutical Personality Sculpting

Pharmaceutical Personality Sculpting explores our modern obsession with self-optimisation and the seductive promise that we can simply medicate away the parts of ourselves we don’t like.

We’re constantly bombarded with messages about becoming our “best selves”—fitter, more confident, more successful. But what if the anxious, overthinking parts of our personalities aren’t flaws to be discarded, but essential aspects of who we are? And what happens when we try to chemically edit our souls?

In our relentless pursuit of personal enhancement, do we ever ask whether the cure might be worse than the condition?

Pharmaceutical Personality Sculpting

Ryan had always been a worrier. The kind of person who rehearsed conversations three times before having them, who lay awake dissecting every social interaction for hidden meanings. When his GP suggested the new personality optimisation therapy, it felt like a lifeline.

“ConfidaMax targets specific neural pathways,” Dr Webb explained, sliding the prescription across her desk. “It doesn’t suppress your anxiety—it actually removes those thought patterns entirely. Think of it as personality sculpting.”

The first month was revolutionary. Ryan spoke up in meetings without his stomach knotting. He asked out his colleague Jessica without spending three weeks crafting the perfect approach. Friends commented on his newfound confidence, his decisiveness, his easy laugh.

“You’re like a completely different person,” Jessica said after their third date, running her fingers through his hair. “I love this version of you.”

Ryan loved this version too.

The first glimpse came on a Tuesday evening. He was making dinner when he caught movement in the kitchen window’s reflection—a hunched figure, wringing their hands anxiously. He spun around. Empty room. When he looked back at the glass, only his confident smile stared back.

The second incident happened during his morning shower. Through the steam on the bathroom mirror, a familiar face—pale, worried, mouth moving soundlessly as if rehearsing conversations. Old Ryan, looking terrified.

“Steam patterns,” he muttered, wiping the mirror clean.

But the sightings became more frequent. In shop windows, car mirrors, even Jessica’s sunglasses. Always the same anxious figure, always watching him with growing resentment.

The turning point came during his quarterly review.

“Ryan, I have to ask,” his manager said, frowning at her notes. “Last week’s presentation—you seemed to second-guess every point you made. Very unlike your recent work.”

He opened his mouth to respond confidently, but the words that came out were: “I’m sorry, I just thought maybe I should have prepared more, maybe the data wasn’t quite right, maybe—”

He stopped, horrified. Where had that come from?

“Are you feeling alright?”

That night, Jessica noticed too. “You kept apologising during dinner,” she said, pulling away from his kiss. “For things that didn’t need apologies. You used to be so sure of yourself.”

Ryan stared at his reflection in her bedroom mirror. For just a moment, two faces looked back—his confident expression overlaying something desperate and familiar underneath.

The old patterns were bleeding through more each day. He’d catch himself overthinking emails, rehearsing simple phone calls, lying awake analysing conversations. But these weren’t his gentle, familiar anxieties—they were magnified, toxic, consuming.

During a client meeting, the familiar spiral began so intensely that he excused himself to the bathroom. In the mirror above the sink, Old Ryan was waiting.

“You threw me away,” the reflection mouthed, not quite in sync with his own movements. “But I’ve been getting stronger.”

Ryan stumbled backward. “You’re not real.”

“I’m the only real thing left,” his reflection replied, now moving independently. “This confident version? It’s just chemical fakery. But me? I’m everything you tried to discard, and I’m hungry.”

“The pills—”

“Won’t work anymore.” Old Ryan’s smile was ghastly—all anxiety and overthinking twisted into something malevolent. “Every time you pushed me down, you made me stronger.”

Ryan bolted from the bathroom, back to the meeting. But as he tried to speak, only stammering apologies emerged. He watched his colleagues’ faces change from respect to confusion to concern.

That evening, he doubled his dosage. Then tripled it. Nothing worked. The anxious thoughts weren’t just returning—they were arriving amplified, weaponised, designed to destroy everything his confident self had built.

Jessica broke up with him the following week. “It’s like you’re two different people,” she said. “And I don’t like the one who’s winning.”

His work performance collapsed. Friends stopped calling. The life his confident self had constructed crumbled as Old Ryan systematically sabotaged every relationship, every opportunity, every moment of peace.

Standing in his bathroom at 3 AM, Ryan stared at his reflection. Old Ryan stared back, no longer hiding.

“Ready to stop fighting me?” his reflection asked.

Ryan reached for the pill bottle with shaking hands.

“Those won’t help,” Old Ryan said. “I’m in control now.”

Ryan’s hand froze. The confident version—the one who’d laughed easily, spoken boldly, lived fearlessly—felt like a fading memory.

“Welcome back,” Old Ryan whispered as their reflections finally merged. “Now let’s examine every mistake you’ve made… one by one.”

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On the Fringes of Reality is a collection of contemporary horror stories that explore the unsettling spaces where our ordinary world reveals its true nature. Each tale examines the familiar through a darker lens, finding terror in technology, relationships, and the everyday moments that suddenly turn strange.